Big League
Rachel Balkovec makes baseball history, former Lobo catcher climbs the MLB ladder…
Read MoreRachel Balkovec (’09 BS) makes baseball history
Photos: Courtesy of New York Yankees
Former Lobo catcher climbs the MLB ladder
By Leslie Linthicum
On Jan. 10, former New York Yankees All-Star pitcher CC Sabathia tweeted a photo of UNM alumna Rachel Balkovec fitted out in Yankees pinstripes with the message: “Keep breaking barriers, Rachel. Salute!”
It was a big day for Balkovec (’09 BS), a history-making day in a sports career that has seen its share of firsts.
At 28, Balkovec was the first woman to be named a conditioning coach for a Major League Baseball team when she took over as the Latin America strength and conditioning coordinator for the Houston Astros, based in the Dominican Republic.
At 32, she became the first woman hired as a full-time hitting coach in the majors when the Yankees signed her on as the team’s minor-league hitting coach.
Now 34, the former Lobo catcher is packing up the moving van again, this time headed for Tampa Bay, Fla., and another spot in history. She takes over as manager of the Tampa Tarpons, the Yankees’ Class A affiliate team, becoming the first woman to be called ‘skipper.’
“The first word that comes to mind is gratitude,” Balkovec said in her debut press conference with the Yankees — which was crowded with 112 media participants on Zoom.
Balkovec noted the Yankees’ long history of progressive hiring. (In March 1998, Kim Ng, another former college softball player, was the Yankees’ assistant general manager. Ng went on to be the first female general manager in baseball.) And she tipped her hat to her parents, “who raised me to be a competitive athlete, not a woman or a man, but just to be competitive and capable and aggressive.”
Asked about the sexist blowback to her hiring, Balkovec noted her resiliency.
“Three years ago, I was sleeping on a mattress that I had pulled out of a dumpster in Amsterdam. If you know yourself and you know where you came from, it doesn’t really matter.”
She calls her story “the American dream” and is adjusting to a new level of attention, including some shoutouts from some heroes.
“I can die now,” Balkovec joked. “Billie Jean King congratulated me.”
Balkovec came to UNM from Creighton University, recruited to play catcher for the Lobos. By the time she graduated in 2009, she had changed her major from psychology to exercise science and then to kinesiology, with an eye to a career helping athletes perfect their performances.
Among her mentors were former UNM instructor Chris Frankel and Len Kravitz, associate professor of exercise science at UNM, who taught her that coaching is motivating others to learn.
She had graduated from UNM and was working on her master’s degree in kinesiology at Louisiana State University in 2012, when the St. Louis Cardinals called looking for a student to work as a Minor League strength and conditioning coach at their baseball training camp near Baton Rouge. The Cardinals took a leap of faith and hired Balkovec, who was working as a graduate assistant strength and conditioning coach at the school.
When the internship ended and she had her degree, Balkovec had an enviable resume for a 26-year-old: A master’s degree in sports administration, experience working with athletes on strength and conditioning at two universities and experience with the Cardinals.
She moved to Arizona, one of the hubs of baseball spring training, applied for every job listed in Major League Baseball and waited hopefully.
“I got crickets,” Balkovec said.
The one baseball representative who showed interest in hiring her later called her to let her know that it was her gender, not her qualifications, that scuttled her chances. And he said he had called around to other teams and heard the same story. She appreciated his candor.
“I finally understood,” she said.
With the doors of Major League Baseball closed tight, Balkovec took a job waitressing in Phoenix, volunteered at Arizona State University and entered what she calls “the dark times.”
Some colleges approached Balkovec about openings in strength and conditioning, but always for women’s sports. Even though she had respect for women’s sports, it bothered her that those were the only doors open to her. She dug in.
One of her sisters suggested she apply for jobs as “Rae Balkovec.” She immediately got email responses, but the conversations ended when they reached her on the phone. Balkovec quickly dropped Rae and went back to Rachel.
Finally, the call came from the Chicago White Sox, who hired her as a strength and conditioning coach.
The White Sox job led to a job back with the Cardinals as the Minor League strength and conditioning coordinator. In November 2015, the Astros brought her on as the Latin American strength and conditioning coordinator.
Balkovec spent a lot of time in the Dominican Republic, taught herself Spanish and some salsa moves and got valuable experience in understanding the Major League Baseball system and learning how to interact with young male players.
In between those temporary stints, Balkovec moved to Amsterdam (the place she scored the free mattress) in 2019 to pursue a second master’s degree in biomechanics and work as the apprentice hitting coach for the Netherlands National baseball and softball team.
When she returned to the United States, she was back to the dark days. With two master’s degrees in human movement science and a list of MLB credits on her resume, she took an internship with a technology firm that uses eye tracking to aid hitters and started knocking on MLB’s door again.
When the Yankees hired her as the league’s first full-time female coach, she was 32 and had lived in 15 cities in 12 years.
“When I actually got that job, I had $14 in my bank account,” Balkovec said. “I was broke as a joke.”
She called her parents to tell them she had made history. And to ask them if they could lend her some money to cover her move.
Balkovec nods to her parents for setting the stage for her ground-breaking career.
“My father and mother, they deserve an award,” Balkovec said. “They literally raised three girls to be absolute hellions.”
The Balkovec girls didn’t grow up with gender barriers that told them that certain goals weren’t possible. So Balkovec naively thought she could get any job based on her skills and was brought up short when she learned otherwise.
“This is a little counterintuitive,” Balkovec said, “but I’m glad I was discriminated against. By the time I was full time, I had done multiple internships. I was super prepared. I’m glad my path was difficult and it still serves me to this day.”
Kevin Reese, Yankees vice president of player development, approached Balkovec about the manager job in mid-December.
Reese says there was no agonizing or even much discussion when Balkovec’s name came up as a possibility to fill the Tarpon’s manager slot.
“It’s a no-brainer,” he said. “The feedback was always positive on Rachel. Everybody was on board. This is about her qualifications and her ability to lead.”
What can the Tarpons players expect from their new manager?
“It’s going to be high standards and clear standards. It’s going back to honesty and being direct,” Balkovec said. “Getting every day to matter and every practice to matter, that’s what I’m really passionate about.”
And it should be fun.
“They can definitely expect some loud music in the clubhouse,” she says.
Since getting the skipper job, Balkovec has been working 14-hour days, immersing herself in all aspects of a baseball team. While her experience has been in strength and conditioning and hitting, Balkovec is getting up to speed on fielding and pitching as well as all the aspects of running an organization and team travel.
One aspect of the job has always come easily for Balkovec — developing camaraderie and cohesion among players.
“My goal is really to know the names of the girlfriends, the dogs, the families of all the players,” she said. “My goal is to develop them as young men and young people who have an immense amount of pressure on them. My goal is to support the coaches that are on the staff.”
In Class A, she will have the youngest and least experienced players to work with.
“We’re going to be talking more nuts and bolts of pitching and hitting with them, and defense,” Balkovec said. “It’s really just to be a supporter, and to facilitate an environment where they can be successful.”
Even though she’s a trailblazer, Balkovec has experienced very little sexism on the field or in the clubhouse.
“In 10 years, so little that it’s not even worth mentioning,” she said. Players have a certain level of curiosity when they’re meeting the first female coach they’ve ever known, which Balkovec understands as completely normal.
“I just know within five minutes — my presence in the room, I speak confidently, I’m bilingual — it all just goes away. The players I’ve worked with, I do feel — whether they like me or they don’t like me, they like what I’m saying or they don’t like what I’m saying — they respect me. They do know I’m passionate and hard-working and I know what I’m talking about.”
Balkovec notes that there are now 11 women in uniform in baseball today, so the tide is turning slowly.
“There were many times in my career where I felt extremely lonely and I literally didn’t have anyone to call who had been going through the same experiences,” she said.
Balkovec is active on social media, which she says isn’t about feeding her brand, but inspiring others.
“I want to be a visible idea for young women. I want to be a visible idea for dads that have daughters,” she said. “I want to be out there. It’s something I’m very passionate about.”
Brian Cashman, the Yankees general manager who recruited Ng more than 25 years ago and put the first crack in baseball’s glass ceiling, calls Balkovec “a really impactful, smart person. What’s she’s bringing to the table is her knowledge and her strength and her perseverance and her thoughtfulness and her empathy. She’s as tough as they come.”
Balkovec’s ultimate goal is to be a general manager.
“Right now, I’m a manager,” she said. “I don’t really have a timeline for when I would leave, but I just know in the future, that leadership and the front office is definitely present in my mind.”
I understand that’s a very long-term goal,” she said.
When asked whether she has the skills to go higher in coaching or management, Cashman said, “The sky’s the limit. She’s determined. She’s strong. She’s got perseverance. I would not put any limitations on what her future would entail. She’s willing to go to the ends of the earth to accomplish her goals. This is someone who will not be denied.”
After Balkovec graduated from UNM in 2009, she followed a path of perseverance that led — 11 years later — to a position as minor league hitting coach with the New York Yankees, which led to her current position as manager of the Tampa Tarpons, in the Yankees’ minor league system.
These were moves she made to get there:
2009
Strength and Conditioning Intern: API (Now EXOS)
2010
Strength and Conditioning Graduate Assistant: LSU
2012
Strength and Conditioning Intern: St. Louis Cardinals Major League Baseball
2012
Front Office Internship: Los Tigres Del Licey (La Republica Dominicana)
2013
Strength and Conditioning Internship: Arizona State University
2013
Strength and Conditioning Internship: Chicago White Sox
2014
Minor League Strength & Conditioning Coord: St. Louis Cardinals
2016
Latin American Strength and Conditioning Coordinator: Houston Astros
2018
Minor League Strength and Conditioning Coach: AA Affiliate: Houston Astros
2019
Returned to School for MS in Biomechanics in Amsterdam
2019
Apprentice Hitting Coach: Netherlands National Baseball & Softball programs
2019
Research & Development Intern: Driveline Baseball: Eye Tracking for Hitters
2019
Hired by New York Yankees as an Major League Baseball hitting coach
Rachel Balkovec makes baseball history, former Lobo catcher climbs the MLB ladder…
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Alumnus Jimmy Santiago Baca (’84 BA) found peace in the written word
By Leslie Linthicum
When Jimmy Santiago Baca stands in front of a classroom — maybe it’s a high school in East L.A., or a jail in New Mexico or a seminar at Berkeley or Yale — he’ll challenge aspiring writers to tap into their trauma and find their truth. And he’ll tell them they already have the tools they need: “You have imagination and you have experience,” he’ll say. “That’s where writing comes from.”
And he will likely share his own truth: that books saved his life.
Baca (’84 BA, ’03 HOND), one of the nation’s most prolific and decorated writers, has had 31 books published in 26 languages, and at 70 he still adheres to his morning practice of settling in at the keyboard at 5:30 a.m.
Known primarily as a poet, he also has written novels, short stories and screenplays and is at work on a trilogy while teaching and touring the country reading and lecturing.
It is a charmed life, complete with financial security and a warm family. No one is as surprised and delighted by that as Baca, the former orphan, drinker, drugger and badass criminal.
“A lot of times, no matter how bad things are, I always see myself as being very fortunate,” he says. “There’s not a morning that goes by that I don’t tell the Lord thank you, thank you, thank you.”
His biography has the outlines of a movie and indeed it has been told in a memoir, “A Place to Stand,” published in 2007, and a documentary film in 2014. Born in Santa Fe to a father who drank and was largely absent and a mother who abandoned him and his brother and sister when they were small, he was taken in by his grandparents, then delivered to a Catholic orphanage at age 7, where he lived until he ran away at 13 and was placed in youth detention. At 15, he ran away from there and lived a hand-to-mouth existence, drinking, fighting, getting high, crashing in abandoned homes. Arrested at 17 for a crime he didn’t commit, he spent some time in the county jail before being released. He headed West and was running a lucrative marijuana distribution business in Yuma, Ariz., when he was visiting a heroin dealer’s home as it was raided by federal agents. An agent was shot and Baca was sentenced to five years behind bars for drug possession.
‘I can’t describe how words electrified me.’
He was 20 when he walked into a maximum-security prison in Florence, Ariz., the place where he would teach himself to read and write alone in a cell and begin corresponding with a Good Samaritan who sent him books and paper.
He describes his awakening in “A Place to Stand.”
“I would set my dictionary next to me, prop my paper on my knees, sharpen my pencil with my teeth, and begin my reply. I would try to write the thoughts going through my mind, but they didn’t come out right. They lacked reality. A stream of ideas flowed through me, but they lost their strength as soon as I put them down. I erased so often and so hard I made holes in the paper. After hours of plodding word by word to write a clear sentence, I would read it and it didn’t even come close to what I’d meant to say. After a day of looking up words and writing, I’d be exhausted, as if I had run ten miles. I can’t describe how words electrified me. I could smell and taste and see their images vividly. I found myself waking up at 4 a.m. to reread a word or copy a definition.”
As Baca’s thirst for words grew, he began borrowing books from other inmates.
“Thoreau, Emerson, Dickinson, all the great ones,” he says on a warm morning on the patio of his home in Albuquerque. “Death Row was on the other side of where they kept us, and I was a porter, so I used to be able to go over there and they’d give me their books. They always read the coolest books. Hemingway, Faulkner and a lot of Russian writers. ‘War and Peace’ — come on, that was like my religion.”
Language opened up something in him and what could have been a soul-crushing experience — fights, stabbings, years spent in dark solitary confinement cells because he refused to work — became a rebirth. He fell in love with collections of poems by Shelley, Byron, Neruda and Lorca. He began to review his life through a different lens.
“It was me deciding what I wanted to do with my life,” Baca says. “Me deciding that I probably wouldn’t have made a great criminal but I was really attracted to reading, so I read.”
Sitting alone in the dark for days on end, trying not to go crazy, helped hone writerly skills.
“It was absolutely an opportunity,” Baca says. “You practice your imagination. You practice disembodiment. You practice your memory.”
Baca had plenty of opportunity to practice writing and to dig into the insights and emotions that are the backbone of the poem.
“It was really fortunate to live in a place where death and life met each other every day,” Baca says, “rather than live this passive life where the biggest obstacle is paying the bills and the IRS.”
In exchange for cigarettes or coffee, he wrote poems for other inmates to commemorate events in their lives and to give to their mothers or children or girlfriends. Often, he had to read them aloud to inmates because they couldn’t read.
‘How can you kill and still be a poet?’
When another inmate disrespected Baca and a prison elder advised him he had to fight or be seen as vulnerable as he served out the rest of his time, he came to the realization that his life was changed.
As he recounts in his memoir, he was in the clutch of the fight with the other inmate lying on his back.
“He was partially unconscious, stunned, bleeding from a cracked cheekbone. He took out a shank he’d hidden beneath his sock and I grabbed it. I was standing over him, my feet planted on each side of his shoulders. In that moment, all I could see was his face, the blood pouring out from a wound in his cheek where a bone was exposed. In that moment, everything seemed so calm and quiet. I gripped the shank to stab him. For a second, every horrible thing that had happened to me in my life exploded to the surface as if had been building up to this moment. The blade in my hand, my legs spread over his chest, I loomed over him, staring into his eyes and then at his heart. While the desire to murder him was strong, so were the voices of Neruda and Lorca that passed through my mind, praising life as sacred and challenging me: How can you kill and still be a poet? How can you ever write another poem if you disrespect life in this manner? Do you know you will be forever changed by this act? It will haunt you to your dying breath.”
He chose to become a poet. By the time he was released with $20 and the clothes he entered prison in, Baca had sold some poems to Mother Jones magazine and had contacts with other writers and editors. He went to North Carolina and got his GED and took some community college classes.
Then he returned to New Mexico and had his first collection of poems, “Immigrants in Our Own Land,” published in 1979 and began to make a life as a writer. By the early 1980s, Baca had married, had a baby and bought a fixer-upper. How to pay a mortgage as a poet? Baca enrolled in UNM.
“I needed some money to pay the mortgage and they were offering these Pell grants,” Baca explains. “I had no interest in going to school, but when I got there, I loved it.”
He studied literature, of course, and a new way of looking at books opened up for him.
“I loved the environment of being around so many books. And I really loved the professors,” Baca says. “They had so much to offer. It was like talking to convicts on the yard about writing, but these guys knew all about literature.”
He graduated in 1984 and broke out several years later with the publication of “Martin & Meditations in the South Valley” in 1987, which won the American Book Award and the Pushcart Prize. He won the Taos Poetry Circus — the mother of slam poetry contests — in 1992 and 1993. In 1995 he was invited by PBS journalist Bill Moyers to be part of a televised series on poetry.
Ben Daitz, M.D., a family medicine physician at UNM and a writer himself, met Baca in the poetry slam days and they have remained friends for 40 years.
“His history is pretty dramatic and I think it took him awhile to settle down,” says Daitz, now professor emeritus at the UNM School of Medicine and a documentary filmmaker. “But he did. I think he’s mellowed. He’s more comfortable in his own skin. Part of that is getting older and growing out of his rebellion. And he’s got a great family that is very important to him.”
Baca divorced, married a second time and has four children, one still at home. He has held endowed chairs at Colorado College, Yale and University of California, Berkeley, among other colleges and universities. While he has traveled the world reading, speaking and teaching, he spends more time now in New Mexico, riding his bike, running in the bosque, volunteering as a writing teacher in schools and putting on an annual writer’s retreat. Teaching, as much as writing, has been a foundation of Baca’s life.
“It’s just the service that I think I’m obligated to undertake,” he says. “I was given a great gift. I don’t just want to get rich and famous. I want to spread it around.”
Jessica Richardson, an associate professor of Speech and Hearing Sciences at UNM, has been awarded a five-year, $2 million grant from the National Institute on Deafness and Other Communication Disorders to optimize treatment and interventions for those who acquire the language disorder known as aphasia as a result of suffering a stroke.
Aphasia affects speaking, understanding, reading and writing. The most common cause of aphasia is stroke, and 30 to 50 percent of people who have had a stroke will live with aphasia for the rest of their lives.
“Aphasia is a devastating and debilitating diagnosis.,” said Richardson, who has worked with people with post-stroke aphasia, and other acquired cognitive or communication deficits, for more than 20 years. “Just imagine not being able to say what you want to say or understand what others are saying, or not being able to read or write anymore. If you think about your everyday life, and what you do every day that involves any type of language, you can begin to understand how big of an impact this can have.”
One of the big gaps in current treatment that she seeks to address is not taking full advantage of the brain’s plasticity, or ability to change. “We know our brain is plastic and very responsive to use or activity,” Richardson said. “You can change the way the brain works, and even the structure of the brain, with what you do.”
Richardson said patients with aphasia and their recovery team can help the intact brain repair itself by taking advantage of this plasticity. She hopes to combine evidence-based aphasia treatment with a non-invasive brain intervention called transcranial direct current stimulation for even more optimized treatment.
“Depending on where we place the electrodes on the scalp, we can make neurons more ‘interested’ in a task, as the electrical current may increase the probability that they will send brain signals, or fire,” she said. “We can also tell certain neurons to be quiet if they are interfering in some way, using the electrical current to decrease the probability that they will fire. Over time, with repeated exposure to this, we can potentially change the way the brain functions when ‘doing’ language.”
Richardson has seen first-hand how particularly devastating aphasia can be, first as a high schooler after her grandfather suffered from aphasia, and more recently with her mother. “It changes everything about one’s life — identity, autonomy, relationships, financial security … everything,” Richardson said. “And it changes the lives of the loved ones of survivors as well.”
UNM's Jessica Richardson awarded grant to optimize treatment for the language disorder known as aphasia...
For anyone who loves to watch movies and TV shows filmed in New Mexico — hitting “pause” and saying, “Wait, was that the Rio Grande Gorge?” — Jason Strykowski (’07 MA, ’15 PhD) has written your new Bible. Strykowski, a script supervisor and assistant on major film and TV sets, has put together an encyclopedia of 50 well-used filming locations throughout New Mexico. A Guide to New Mexico Film Locations (University of New Mexico Press, 2021) takes an interesting tack: describing the location and its history, including a filmography of productions that have used the location and adding travelogue features that include driving directions and where to stay and eat if you decide to visit. Here’s a fun fact: The first film made in New Mexico, “Indian Day School,” circa 1898, was shot at Isleta Pueblo. It used the new kinetograph visual recording technology and was shown at kinetoscope parlors, the precursor to cinemas. The book is filled with photos, both current and vintage — Kirk Douglas on the set of “Lonely Are The Brave” in Albuquerque, Dennis Hopper at Taos Pueblo for “Easy Rider” and Jimmy Stewart looking tough at Tesuque Pueblo in “The Man From Laramie.”
Hakim Bellamy (’14 MA) was named the inaugural poet laureate for the City of Albuquerque in 2012. The job comes with a two-year term and just a few requirements: implement a community project and respond to occasional requests for poems to commemorate certain events. Commissions y Corridos (University of New Mexico Press, 2021), one of a series of collections of the poems of Albuquerque’s poets laureate, collects many of Bellamy’s commissions along with other poems he wrote during his tenure. Not every poem is about Albuquerque, but as Bellamy explains in his preface, Albuquerque is his love and his muse. The collected poems range from short and sweet, as in “New Mexico Department of Tourism (A Haiku)” and “Albuquerque. Where/the desert doesn’t get in/the way of your view” to long and searching, as in “Law Enforcement Oath of Honor,” in which Bellamy writes his ideal of an officer’s sworn oath. Some lines: “I solemnly swear to be as obsessed with building community as I am with broken laws. I will act justly and impartially and with propriety toward my fellow officers. So long as they are just, impartial and proper toward my fellow citizens.”
The subtitle of Vaccines & Bayonets (Wheatmark, 2021) by Bee Bloeser (’67 MA) is “Fighting Smallpox in Africa Amid Tribalism, Terror and the Cold War.” That’s a sweeping brief for an author to undertake, by for Bloeser it’s the story of one chapter in her life. With two young children, she and her husband, a U.S. Public Health Service nurse, moved to Nigeria to join the United States-led smallpox vaccine campaign in West Africa. That’s the “vaccine” part of Bloeser’s title. The “bayonets” relate to the region’s raging civil war that the family stepped into. With vaccines on everyone’s minds, it is fascinating to read about an all-out push in a foreign nation to vaccinate in order to eradicate a disfiguring and deadly preventable disease. Bloeser’s memoir is breezy and warm and continues through other postings in West Africa as well as in Equatorial Guinea.
Mary A. Johnson (’89 MA, ‘94 PhD) spent her career as a clinical counselor and developed an expertise in counseling people having trouble in their relationships. In her professional capacity, she learned a lot about Asperger’s syndrome. Johnson, a widow, met her second husband, Jim, late in life and moved to Oregon where he lives. Love and Asperger’s: Jim and Mary’s Excellent Adventure (Atmosphere Press, 2021) follows the steps of their courtship and marriage with episodes followed by insights, in italics, that reflect her realization in hindsight that Jim was exhibiting classic signs of someone with Asperger’s. On early dates, Jim opted for a narrow menu of chain restaurants, which she wrote off as quirky. In retrospect she recognized a common trait of people with Asperger’s. Later, after they married, Jim’s seemingly abrupt or rude comments and criticisms hurt her feelings. She saw them in hindsight as examples of a person with Asperger’s not recognizing other people’s emotions and having trouble empathizing. One day over lunch, she decides to tell her husband she thinks he has Asperger’s. He stirs his coffee for a long time and says, “I always wondered why I felt different.”
William E. Foote (’69 BA, ’75 MA) has been a forensic psychologist in Albuquerque for more than 40 years and has taught in UNM’s departments of Psychology and Psychiatry and at the School of Law. So he brings a lifetime of experience to Understanding Sexual Harassment (American Psychological Association, 2021), which he wrote with Jane Goodman-Delahunty. While the book is geared toward forensic clinicians practicing in the area and preparing forensic reports and testimony in court cases, it’s an interesting read for anyone interested in one of the social issues of our times. The book walks through the history of sexual harassment law (did you know that even though the protection against being harassed due to gender is embodied in the 1964 Civil Rights Act, the term “sexual harassment” wasn’t coined until 1970?) It explores who are the most common perpetrators — a range of (mostly) men who can be misogynistic, clueless, rate low in honestly and humility and high in authoritarianism. Anyone can become a victim of workplace harassment, but Foote and Goodman-Delahunty go to the research to show that predators look for certain victims — namely those who have been the victims of previous trauma.
Google is tracking your online browsing. Alexa knows your grocery list. And that Ring doorknob is scanning the front yard. In 1993, Oscar H. Gandy, Jr. (’67 BA) used the phrase “panoptic sort” to describe a sociotechnical system that sorts people on the basis of their estimated value or worth. Panoptic (complete, comprehensive, sweeping) sorting has now entered the age of Big Data and Gandy, professor emeritus at the University of Pennsylvania’s Annenberg School for Communication, comes with a second edition of The Panoptic Sort: A Political Economy of Personal Information (Oxford University Press, 2021) to explore how surveillance capitalism influences how we are sold everything from shampoo to political candidates. For Gandy, this is cause for concern. He calls for transparency and accountability and collective resistance to the primacy of algorithms.
Middle Eastern Americans are often distrusted, attacked and assailed for their names, religions and dress, spiking in severity after any domestic incident involving terrorism. “It is from this crucible that Middle Eastern American theatre is forged,” writes Michael Malek Najjar (’93 BA) in Middle Eastern American Theatre: Communities, Cultures, and Artists (Methuen Drama, 2021). Creatives in the community explore in their communities and in person conflicts and struggles in theater. Najjar looks at how writers, actors, directors and other performers of Middle Eastern heritage have created a vibrant theater scene. It is a diverse group — Arabs, Jews, Iranians, Armenians and Turks.
“It’s OK. It happens. Please don’t beat yourself up.” So begins a provocatively titled little volume by strategic communications consultant Mandi Kane (’06 BA). In So, You F*cked Up: A Peptalk for When You’ve Made a Mistake (Ardia Books, 2021) Kane gives readers a literal pep talk to get them through personal or professional foul-ups so relationships and reputations aren’t permanently damaged. Lesson No. 1: “You’re not alone.” Lesson No. 2: Regardless of what feelings you’re spinning through — embarrassment, disappointment, frustration, anger — put them aside and get to the task of moving forward. Kane, who in her media relations business helps people and corporations navigate through mistakes, offers strategies for making things right. “Apologize if you need to and be sincere. Saying you’re sorry isn’t a weakness, it’s a strength,” she writes. And she offers warm advice: “You are not defined by your mistakes, no matter how public.”
Cattle rustling. Treasure hunting. Bootlegging. Family drama. New Mexico scenery ranging from Quemado ranches to Gallup dance halls to the spooky Malpais. Death on a Desolate Piece of Ground (Abbott Press, 2021) by Ray Windsor (’71 BAED) takes readers through a mystery set in New Mexico during the Depression. Jesse Woods, one of three sons of a violent and whiskey-drinking Catron County rancher, survives a childhood of beatings, runs away and, barely 16, finds himself taking the rap for his cattle-rustling friends and in prison for a year. Hardened when he gets out, he joins a rustling syndicate and becomes a man who never walks away from a fight. The bullied becomes the bully, culminating in unspeakable violence.
Another richly told New Mexico mystery, Taos Gothic (White Bird Publications, 2021), comes from author James C. Wilson (’82 PhD). This is set in present-day Taos and begins with the disappearance of Kate Isaacs, a Santa Fe historian doing research at the Mabel Dodge Luhan House in Taos. Investigating Isaacs’ disappearance is Fernando Lopez, a retired Santa Fe police detective now hanging out his shingle as a private investigator. Isaacs, a podcaster and UNM lecturer with a past that includes drinking and drugging, is reported missing by her wife in Santa Fe. Last known sighting? At a party at the home of a former lover. If you like Taos, the D.H. Lawrence Ranch and Taos women writers — Willa Cather in particular — this is a page-turner for you.
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1 UNM, MSC01-1160, Albuquerque, NM 87131
New and notable releases from Ray Windsor, Michael Malek Najjar, Hakim Bellamy, and other UNM alumni…
There’s nothing quite as beautiful as UNM campuses in their Spring colors. Whether it’s the verdant, high mountain greens of Los Alamos and Taos, the stunning desert hues of Gallup and Valencia, or the vibrant grounds and gorgeous landscapes of Albuquerque, Lobos are truly lucky to stroll some of the most striking campuses anywhere.
Our grounds are made all the more stunning by the thought and design that has gone into so many of our buildings and facilities. For over 130 years, The University of New Mexico has been a work in progress, with facilities added or improved regularly to reflect the growing needs of the Lobo community, as well as to contain the latest new technology or to make our buildings more energy efficient.
Across our campuses, we work to design and construct our facilities in a manner that makes them at home in their respective communities. At our oldest campus in Albuquerque, in fact, we still ask that our facilities be designed and constructed in a manner reflecting the Pueblo Revival style introduced on campus in the early 1900s by UNM President William G. Tight, and emphatically adopted by campus architect John Gaw Meem in the 1930s. As President, I have the privilege of living in University House, one of the finest examples of the Pueblo Revival style anywhere — so much so, in fact, that it was added to the National Register of Historic Places in 1987. It’s this embrace of the Pueblo Revival style that gives even our most modern buildings a unique look that reflects the culture of our region and gives UNM its unique charm.
Intrigued? I hope so; it’s all part of our shared history and heritage as Lobos. And in this issue of Mirage, you’ll learn more about some of our newest — and oldest! — buildings, with some stunning photos guaranteed to make you look at some familiar sights with new eyes. And if it’s been a while since you’ve visited campus, this issue may inspire you to come back, take a walk, and take a look around again at a place you as alumni always get to call home.
The best thing about our campuses, however, will always be our Lobo students, faculty, staff and alumni who continue to make every day better and memorable. As we continue to work through the pandemic and press forward into the future, remember that it is your support and enthusiasm that give The University of New Mexico its truly unique character.
Regards,
Garnett S. Stokes President
The University of New Mexico
There’s nothing quite as beautiful as UNM campuses in their Spring colors...
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