“She told me, ‘One, you kind of study things. The other, you do things,’” Gonzalez said. The answer seemed obvious. “So of course I was like, I want to do things!”
Only later did she realize she had signed up for journalism instead of advertising.
Her first real experience in sports media came through a freshman internship with the Mountain West Network at Lobo TV. She learned to operate a camera covering soccer. For men’s games, she worked the main angle from the stadium roof, alone. From there, the players looked like “tiny little people moving,” she said, and she didn’t get to talk to anyone. It left her asking a simple question: “How do I get down there?”
Saying Yes
The opportunity arrived unexpectedly. As a sophomore, she overheard classmates discussing open positions at the Daily Lobo sports desk. She got hired assuming she would help with social media or video. Instead, she started writing.
Journalism wasn’t her dream job, but she was already on the path, so she decided to make the most of it. At first, the motivation to write was practical: getting published meant extra credit, and posting on social media came with a little extra pay.
She approached the job strategically, but along the way found herself drawn to the access and interaction more than she expected.
“I still didn’t consider myself a writer,” she said. “But I loved being in the environment, talking to players, coaches, meeting the fans.”
By her senior year, she wanted to cover basketball more consistently. UNM men’s basketball was the biggest stage, and she wanted to test herself there. That was when it clicked. “I was getting pretty good at this,” she said.
After graduating with a bachelor’s degree in digital communication and media/multimedia, Gonzalez returned to her original plan and worked in film for a few months. A mentor brought her in as an assistant to a director and producer. She enjoyed the work, but not the instability. “You work six months,” she said, “and then you have to figure out what you’re going to do next.”
Around the same time, the UNM soccer coach asked whether she wanted to produce and host the official men’s soccer show. Gonzalez had never done anything like it before, but true to form, she said yes.
That experience clarified something. For the first time, she allowed herself to imagine a future in sports reporting.
After that season, she met Kurt Roth, a UNM alum and owner of The Lair, an insider site focused on local athletics. The site had started as a forum and grown into a community-driven website, and Roth didn’t want it to disappear. Gonzalez was fresh out of college. She remembers thinking she did not know how to run a website and barely considered herself a journalist. Still, she agreed.
The Lair became one of the most demanding learning periods of her career. “That’s probably where I learned the most,” she said, “because you just had to do it.” She wrote stories, maintained the website, learned to answer IT questions, worked with moderators and navigated the challenges without the structure of a traditional newsroom.
There were no editors. “It was just me,” she said.
What mattered most was the fan base and the responsibility she felt to serve it well. The people who followed The Lair were deeply passionate about local athletics, and she wanted to provide them with high-quality articles and a modern community space.
From there, she kept expanding her coverage. She began taking on more Mountain West teams. She got opportunities through SB Nation’s Mid-Major Madness and covered Gonzaga and other men’s basketball programs around the nation for a full season. Much of that year overlapped with COVID-19, when access shifted to Zoom, and the remote format made it possible to cover a program she hadn’t been physically close to before. She also freelanced NBA work.
More Than the Game
Her voice as a writer developed alongside those opportunities. She traces it back to early English classes and reading children’s books like Junie B. Jones, which taught her to write in a simple and descriptive way. She likes stories that feel human, textured, and colorful. If a coach loves to cook for his players, she wants to write about how he grills, how intentional he is with the ingredients he prepares. Those are the moments that draw her in. They may have nothing to do with basketball, she said, but at the same time, they have everything to do with it.
For Gonzalez, the game itself is only part of the story. Fans already have access to everything: they can watch the game, look up stats, and stream press conferences. What they don’t see is what happens behind the scenes.
Now off the roof, Gonzalez watches from closer range, paying attention to the athletes, the bench, and everything unfolding around the action. Sometimes, she said, people talk about athletes as if they are just pieces of a game. But they are people, and their performance is shaped by their mental state and their relationships with teammates.
She studies who is cheering on the bench, how the handshake line looks, and who leans in during timeouts. If a team is thriving, she said, it is not just about the stats. Something is happening inside the locker room. Building those insights requires trust and genuine curiosity.
“If you ask someone what show they are watching, you have to remember,” she said. “The next time you see them, you follow up and ask how the show is going.” That kind of attention, she said, is what builds real relationships.
A Bigger Stage
All of it eventually led to a direct message from CBS Sports on X—formerly known as Twitter—that she nearly ignored. At first, she assumed it was spam; there was no way it could be real.
Following a demanding interview process, she was offered a position with the network on her birthday. Not just any role, but the opportunity to become CBS Sports’ first writer dedicated to women’s basketball.
Coming from men’s basketball coverage, she understood the responsibility that came with the position and knew she would need to put in the work to build the same depth of knowledge in the women’s field.
Her first day fell in the middle of March Madness, the busiest stretch of the season. Her manager asked her to submit a list of her top 10 women’s players by the end of the day. She remembers starting to sweat. How was she supposed to do it in a day when she was new to women’s basketball?
Later, he told her the assignment had been intentional. He wanted her to jump right in, confident she had the skills to figure it out. More than anything, he wanted her to see that herself.
Looking back, Gonzalez speaks fondly of the people who believed in her before she believed in herself. A high school English teacher insisted she belonged in honors English, even when she still saw English as her second language. A broadcasting professor at UNM kept putting her in front of the camera because he knew she could do it. She remembered finding it “so cool that someone believed in me before I believed in myself.”
When she began working in journalism, that trust followed her: through sideline reporting opportunities, through Kurt Roth at The Lair, through editors who gave her room to grow. Over time, she stopped seeing those moments as coincidences. “When something is right for you,” she said, “it will find you.”
That sense of belonging extends beyond the newsroom. Gonzalez is proud of being born in Mexico, of speaking Spanish and of carving out space in an industry where she sees few Mexican writers. Her move to the United States was made possible by her parents’ sacrifice, a gift she carries with deep gratitude.
“They are a big part of my story,” she said. “I couldn’t have done it without them.”
The transition left her unsure where she fit at times, but over the years, New Mexico became home and, eventually, something deeper.

Isabel Gonzalez covering the women’s basketball Big Ten Media Days prior to the 2023-24 season.
Sometimes, she comes across comments that read:
“Isabel came from New Mexico; she’s one of ours!” That support, she said, means more than most people realize.
Now several seasons into her role, Gonzalez remains energized by where women’s basketball is headed. The surge in attention, amplified by players such as Caitlin Clark and Paige Bueckers, has strengthened her ambition to continue expanding women’s basketball coverage and to show that these stories matter just as much as stories in men’s sports.
March Madness remains her favorite time of year. The travel, the unpredictability, and the intensity remind her why she chose this path in the first place. Still, her curiosity stretches beyond basketball. A former figure skater, she watches the Winter Olympics with a trained eye, ready to field any technical question in the newsroom. She’s also looking ahead to the 2026 World Cup and the 2028 Summer Olympics, ready for whatever assignment comes her way.
“When all the fans come together, and something big is happening,” she said. “That’s truly what I love.”
Those global events remind her why she fell in love with sports in the first place. “When all the fans come together, and something big is happening,” she said. “That’s truly what I love.”
Those moments are why Gonzalez has never chased the final score. She chases what happens around it: the energy on the bench, the conversations on the sideline, the crowd rising together.

Born in Mexico, Isabel Gonzalez and her family moved to the United States and settled in New Mexico when she was 13 years old.
Years ago, she stood alone on a stadium roof, watching players who looked small from that distance and wondering how to get down to the field. Now she works inside that space, telling the stories behind the result and carrying them back to the fans who give it meaning.
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